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If you capital to ability the absolute bedrock debut, the best accessible avenue wouldn’t be to amalgamate Bavarian oompah with Willie Dixon’s Chicago blues, Bach minuets with John Coltrane charts, 12th-century Celtic belief with age-old Greek tragedy, topped off with affluence of existential all-overs and a advantageous dosage of psychedelics. But alike with influences affecting on all of the above, the Doors‘ 1967 self-titled admission would anon accomplish the bandage immortal, acknowledgment to songs like “Break on Through (to the Added Side),” “The End” and the abiding “Light My Fire.”

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Fresh from their gig as the abode bandage at the Sunset Strip’s Whisky a Go Go – breadth they were accursed for assuming a profanity-laced riff on Oedipus Rex during “The End” – poet/vocalist Jim Morrison, keyboardist Ray Manzarek, guitarist Robby Krieger and bagman John Densmore spent a ceremony at Sunset Complete Recorders documenting the act that had alveolate them to the top of the Los Angeles arena in beneath than a year. “The aboriginal anthology is basically the Doors live,” Manzarek says in the documentary Classic Albums: The Doors. “There are actual few overdubs. It’s ‘The Doors: Alive from the Whisky a Go Go’ … except in a recording studio.”

The Doors captured for aeon the raw, vital, anesthetic action of four assured artists. In account of the album’s 50th anniversary, actuality are 10 abstruse facts about the record’s apperception and reception.

1. “Light My Fire” was the aboriginal song Robby Krieger anytime wrote.

The Doors’ guitarist may accept had the greatest beginner’s luck in bedrock history. Having never completed a song, the 20-year-old composed “Light My Fire,” the Cardinal One accident that continues to arm-twist the Summer of Love’s animal heat.

“That was the aboriginal one I wrote, because up until afresh Jim had been autograph the songs,” he told Reverb in 2016. “But we accomplished we didn’t accept abundant originals, so Jim said, ‘Why don’t you address some? Why do I accept to do all the work!?’ So I said, ‘OK, what should I address about?’ And he goes, ‘Write about article universal. Address about article that will last, not aloof about today.’ So I absitively I’d address about [either] earth, air, blaze or water.” Citing “Play With Fire” as one of his admired Rolling Stones songs, he acclimatized on fire.

Krieger affected over the song for several days, bent to adjure up article added than a accepted bedrock progression. “Up until afresh the Doors were accomplishing three-chord blazon songs that were appealing simple, like ‘I Looked at You’ or ‘End of the Night.’” he told Affray Music. “I capital to address article added adventurous. I absitively I was activity to put every ambit I knew into this song – and I did! There’s about 14 altered chords in there.” For a melody, he looked to “Hey Joe,” afresh a contempo hit for Los Angeles bandage the Leaves.

With a ballad and choir beneath his belt, he brought the work-in-progress afore his bandmates. The song had a folk-rock ability in this aboriginal state, arch some in the accumulation to derisively analyze it to a Sonny and Cher number. But Morrison saw its abeyant and offered to accord some added lyrics. “Jim came up with the added ballad about the burial pyre,” Kreiger remembered in Classic Albums. “I said, ‘Jim, why is it consistently about death? Why do you consistently accept to do that?’ And he said, ‘No man, it’ll be perfect. You’ll accept the adulation allotment of it and afresh you’ll accept that afterlife allotment of it.’ And he was right.”

Manzarek added the cartwheeling Bach-like accession and bass bandage (borrowed from Fats Domino’s “Blueberry Hill”) while Densmore lent the Latin rhythm. Aback it was arise the afterward year, the song would be accordingly accustomed to the Doors.

2. Afore recording their debut, the Doors provided abetment music to a Ford Motor Aggregation training film.

In the aboriginal bounce of 1966, the Doors’ were alone from a basic Columbia Records arrangement with little admonishing – and little to actualization for it. Lacking representation and disturbing financially, the bandage took an unglamorous gig at Parthenon Pictures accouterment accidental music for a Ford Motor Aggregation chump account training blur blue-blooded Adulation Thy Customer.

The Doors accumulated into a awkward screening allowance at Los Angeles’ Rampart Studios, breadth they beheld the 25-minute blow on a baby monitor. They composed a soundtrack abundantly on the spot, jamming alive as the scenes flickered past. Fragments of what afterwards became “I Looked at You,” “Build Me a Woman,” and “The Soft Parade” can be heard in the accomplished product. Though they played alone active passages, Morrison is said to accept contributed bang and added complete effects. The day of assignment becoming them $200.

Believed to be absent for decades, Adulation Thy Chump was credible in the UCLA blur vaults in 2002 and arise on the 2014 Doors rarities DVD R-Evolution. However, the aboriginal soundtrack affair tapes accept yet to be located.

3. “Break on Through (to the Added Side)” owes a ample debt to a Paul Butterfield Dejection Bandage song, and Ray Charles’ “What’d I Say.”

“If it hadn’t been for Butterfield activity electric, I allegedly wouldn’t accept gone into bedrock & roll,” Robby Krieger afresh accepted on his website. The Doors guitarist spent his aboriginal years battling flamenco masters like Mario Escudero, Carlos Montoya, and Sabicas afore affective into the blues. From there he credible the raw Chicago complete of the Paul Butterfield Dejection Band, bolstered by the afire accompanying guitars of Mike Bloomfield and Elvin Bishop. Their assignment would accept a credible access on his arena style, absolutely on the clue “Break on Through (to the Added Side).”

When the Doors began alignment the Morrison composition, Krieger begin a accustomed bandage falling out of his guitar. “I got the abstraction for the riff from the Paul Butterfield song ‘Shake Your Money-Maker,’ which was one of my favorites,” he says in Classic Albums. “We aloof afflicted the exhausted around.” The Butterfield adaptation of the song – aboriginal recorded by Elmore James in 1961 – was a clue off their self-titled 1965 debut, produced by approaching Doors assistant Paul Rothchild.

In the aforementioned documentary Manzarek additionally demonstrates how he aerial the keyboard bass bandage from Ray Charles’ “What’d I Say,” as able-bodied as elements of his agency solo. “We’d abduct from anybody!”

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4. The aboriginal two songs they recorded were shelved, but alternating versions alike on approaching Doors albums.

“Moonlight Drive” is the quintessential Doors song: bluesy, nocturnal and decrepit with bedevilled romanticism. The adorable aggregate provided the atom that led to the band’s conception in July 1965, aback Morrison and Manzarek, above classmates at UCLA’s blur school, bumped into ceremony added on the bank of Venice Beach.

The accompany hadn’t credible ceremony added aback admission that spring, and it was a acceptable reunion. “I said, ‘Well, what accept you been up to?’” Manzarek told NPR’s Fresh Air in 1998. “And he said, ‘Well, I’ve been active up on Dennis Jacobs’ rooftop, arresting a bit of LSD and autograph songs.’” Afterwards some convincing, he abiding the shy Morrison to sing him one.

“He sat bottomward on the beach, dug his easily into the sand, and the beach started alive out in little rivulets. He affectionate of bankrupt his eyes, and began to sing in a Chet Baker, apparitional buzz affectionate of voice. He began to sing ‘Moonlight Drive,’ and aback I heard that aboriginal arrangement – ‘Let’s bathe to the moon, let’s ascend through the tide, access the black that the burghal sleeps to hide’ – I anticipation ‘Ooh, chilling and cool, man.’” At that moment, they absitively to alpha a bedrock band.

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The song featured acutely in the beginning Doors’ aboriginal sets, and was alike included on a admirers recorded that September at Trans World Pacific Studios. Krieger had yet to accompany the bandage – Manzarek’s brothers Jim and Rick handled guitar and harmonica parts. Aback the four Doors assuredly came together, alarm at a friend’s barn abaft a Santa Monica bus depot, “Moonlight Drive” was the aboriginal cardinal they played.

“I knew instantly we had begin ‘it,’ that indefinable, absolute article that Kerouac refers to,” Manzarek told Gibson.com in 2011. “We all looked at ceremony added and went, ‘Man, what accept we aloof done? Oh, my. Are we accustomed to do that on this planet?’ That was it. ‘Moonlight Drive.’ At that point, everybody knew. We all aloof array of nodded our active and that was it. That was the bearing of the Doors. Adapted there.”

When the bandage convened in Sunset Complete studios to almanac the The Doors in August 1966, “Moonlight Drive” seemed like an adapted starting point. “When we went to almanac the aboriginal album, the aboriginal one we did was ‘Moonlight Drive,’” Krieger told Bodies in 2016. But inhibited by the alien flat setting, they were clumsy to anamnesis the abracadabra of their aboriginal rehearsal. “It aloof articulate too abstruse and affectionate of dark. So we rearranged it for the added anthology [1967’s Aberrant Days] and fabricated it a little added wild.” The aboriginal version, which Krieger dubs “the actual aboriginal recording we anytime did as the Doors,” was shelved and absent for a time, afore surfacing on a box set in 1997.

The added song they formed on that day, “Indian Summer,” additionally bootless to accomplish the cut. “It wasn’t that we anticipation they weren’t acceptable abundant for the aboriginal album, but we had to aces and choose,” says Krieger. “A lot of acceptable ones didn’t accomplish it.” A re-recorded adaptation would be included on 1970’s Morrison Hotel.

5. Afterwards recording “The End,” Jim Morrison alternate to the flat on LSD and bashed the band’s accessories with a blaze extinguisher.

“The End” was the Doors’ showstopper, an continued bout de force that blurred the curve amid music and theater. The allotment was abnormally backbreaking for Morrison, who delivered a diffuse mid-song composition aggressive by the Greek tragedy Oedipus Rex. Assuming “The End” afore a alive admirers was abundant of a challenge, but summoning the activity in a antiseptic recording flat took ample accomplishment on the allotment of the band, ambassador Paul Rothchild and architect Bruce Botnick.

“The lights had been dimmed and the candles were afire adapted abutting to Jim, whose aback was to the ascendancy room,” Rothchild remembers in Stephen Davis’ Jim Morrison: Life, Death, Legend. “The alone added beam came from the lights on the VU meters. The flat was actual dark.” To added set the mood, Morrison allegedly took a tab of LSD.

At aboriginal the hallucinogen had an all-embracing absolute aftereffect on the performance, but during the playback it became credible that Morrison was, by Krieger’s estimation, “too aerial to abide the session.” Three of the Doors absitively to abide assignment the afterward day. Morrison had a altered idea.

“He besmirched the flat afterwards we did ‘The End,’” Krieger told columnist Mick Houghton. “Jim was on a lot of acid, and aback we accomplished recording, he didn’t appetite to go home. The blow of us left, but he snuck aback into the flat and got pissed off that there was no one abroad around, so he sprayed the abode bottomward with a bubbles blaze extinguisher.”

Botnick elaborates on the adventure in Mick Wall’s Adulation Becomes a Burial Pyre. “[Jim had] gone above the artery to the Blessed Sacrament, a Catholic Church, and he had an epiphany over there. He came aback to the flat and the aboideau was locked. He climbed over the gate, got in, but he couldn’t get into the ascendancy room. That was locked. But the flat was accessible and the red lights were on.” The red-hued assignment lights acutely registered as a blaze in Morrison’s psychedelicized brain. “He anticipation it was on fire, so he affective a blaze extinguisher and agape over the ashtrays that were abounding of beach and approved to put out the fire.”

Manzarek recalled the adventure hardly differently. In his memoir, Ablaze My Fire, he claims that Morrison began blubbering about a blaze while actuality apprenticed home from the flat by his girlfriend, Pamela Courson. He was so assiduous that Courson cautiously alternate to the studio, and Morrison anon belted over the fence. “He took the blaze extinguisher and bashed the accomplished abode down,” Manzarek told Houghton. “Not in the ascendancy room, acknowledge God, aloof in the breadth area the bandage was … aloof accursed the accomplished abode man, aloof to air-conditioned it down.” Abundant of the band’s accessories was ruined, including a abounding sized harpsichord.

The afterward day, a distinct boot, acceptance to Morrison, was begin amid the destruction. “The flat bodies aloof actually freaked,” says Manzarek. “Paul [Rothchild] said, ‘Uh, don’t worry, don’t worry, Elektra will pay for it. No acumen to alarm the police.’ He knew adapted abroad who did it, you know. We all knew adapted abroad what had happened.” The alone one who claimed benightedness was, predictably, Morrison himself. “I did that? Arise on, really?” Densmore recalls him adage over breakfast the abutting day.

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Elektra arch Jac Holzman anon cut a actual ample analysis to flat buyer Tutti Camarata. “I rushed over and said, ‘I agree, it’s out of control. I’ll pay for the damages,” he told Mojo. The adventure was smoothed over, but Krieger acquainted the moment credible a axis point in Morrison’s psyche. “I anticipation Jim [felt], ‘Well, I got abroad with that, I can get abroad with anything.”

6. The Doors acclimated a abstruse bass amateur in the flat – Wrecking Crew affair fable and approaching Bread affiliate Larry Knetchel.

Instead of a bassist, the Doors abundantly relied on Ray Manzarek’s larboard duke to authority bottomward the low end with a Fender Rhodes Piano Bass keyboard. The role originally fell to him out of call aback the bandage aboriginal began to coalesce. “We auditioned absolutely a few bass players,” he recalled in the Classic Albums documentary. “We auditioned one bass amateur and we articulate like the Rolling Stones. Afresh we auditioned accession bass amateur and we articulate like the Animals.” Unwilling to arise above as imitators – or, worse yet, acceptable – the Doors artlessly did without. “Adding a bass fabricated us complete like every added bedrock & cycle band,” Densmore wrote in his memoir, Riders on the Storm. “We were bent to do about annihilation to complete different.”

The absence of a bassist became a acute aspect of the Doors alive sound, but Rothchild acquainted that the recordings bare a stronger bass advance than the occasionally “mushy” Rhodes could provide. He agilely assassin Larry Knechtel, of the all-over assemblage of Los Angeles affair players accepted as the Wrecking Crew, to thicken the sound. Knechtel had already appeared on hits by the Bank Boys, Elvis Presley and the Byrds by the time he was appointed to overdub bass curve on six of the record’s 11 tracks, including “Light My Fire” and the aloof “Soul Kitchen.”

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Knechtel’s assignment on The Doors went bearding at the time, and it was years afore the admeasurement of his contributions were known. Some criticized the bandage for acutely airbrushing the amateur out of the Doors’ story, but Densmore clarifed the accommodation in a 2015 Facebook post. “Larry Knechtel wasn’t accustomed because he bifold Ray’s larboard duke bass curve exactly. He didn’t almanac with us on the tracks, he overdubbed later. This was a time afore Moog synthesizers, and Rothchild acquainted (correctly) that Ray’s curve bare added sonic bite from a bond plucked in accession to a keyboard.”

Knechtel would not comedy on any approaching Doors sessions, but he did reportedly almanac bass on Jose Feliciano’s flamenco adaptation of “Light My Fire,” which became a Cardinal Three hit in the United States in 1968.

7. To advance the album, Elektra Records purchased the aboriginal “rock billboard” in history.Sessions for The Doors were complete by the end of the summer, but Holzman absitively to authority the album’s absolution until the afterward January to abstain the drove of albums appropriate for the Christmas market. If the bandage were aghast by the delay, they were adequate by Holzman’s able promotional scheme: a massive advance looming over the Sunset Strip. The average had commonly been acclimated to advance films, food, cigarettes and a host of added products, and this was the aboriginal time a bedrock bandage would arise on one.

“BREAK ON THROUGH WITH AN ELECTRIFYING NEW ALBUM,” proclaimed the ad, complete with Joel Brodsky’s arresting angel of the accumulation that graced the sleeve’s aback cover. Amid abutting to the Chateau Marmont, a abbreviate ambit from the club arena breadth the Doors cut their teeth aloof a year earlier, the prime area amount a whopping $1,200 a month. The adventure was, according to Holzman, “a calling agenda for the artist, but it was a actual ample calling card.” He believed the ad would bolt the absorption of Los Angeles DJs on their way to assignment and piqué their interest. He was right, giving bearing to a accomplished new acreage of artisan promotion. Bedrock billboards would anon dot the Strip and beyond.

According to Densmore, the absurdity becoming the bandage some acquiescent ribbing. “Radio anchorperson Bill Erwin had interviewed us at the new billboard, and was affliction us about the ad,” he writes in Riders on the Storm. “‘This is affectionate of a aberrant way of application a billboard, guys. I mean, you absolutely can’t apprehend a billboard. And nobody’s heard of the Doors yet.’”

8. Jim Morrison falsely claimed that his parents were asleep in the columnist bio that accompanied the album.

The abominable “Father, I appetite to annihilate you,” access from “The End” was aggressive by Oedipus, but the affair had a claimed resonance for Morrison. His circuitous accord with absolute parents precipitated the abutting agitation that characterized his developed life, alarming both his finest music and his madness.

On the attenuate occasions that Morrison batten of his childhood, he declared it as “an accessible sore” – aching and best kept beneath wraps. His father, George Stephen Morrison, was a baronial career argosy officer. It was he who gave Morrison the average name “Douglas” afterwards General Douglas MacArthur, in hopes that his son would chase in his footsteps. On that score, he would be acutely disappointed.

The ancestors confused often, and Morrison’s ancestor was frequently absent on tours of duty. Aback he was home, he had little backbone for active disobedience. Though Morrison’s adolescent brother Andy tells columnist Jerry Hopkins that he, Jim and sister Anne rarely accustomed concrete discipline, he says they were commonly subjected to the aggressive abuse accepted as “dressing down,” wherein the culprit would be berated into abject tears.

Ultimately acknowledgment to Rear Admiral, Morrison’s ancestor was article of a aggressive Zelig. In 1941 he witnessed the bombing of Pearl Harbor. Two decades later, aboard the USS Bon Homme Richard aircraft carrier, he allowable American argosy armament during the Gulf of Tonkin incident, a aggressive affray that led to a affecting accretion of the war in Vietnam. He was a accustomed face about Cape Canaveral, the Pentagon and the Argosy Golf Course.

After acquirements of his son’s admiration to become a bedrock singer, the ancient Morrison wrote a letter advancement him “to accord up any abstraction of singing or any affiliation with a music accumulation because of what I accede to be a complete abridgement of aptitude in this direction.” Morrison finer burst all acquaintance with his ancestor thereafter, and they never saw one accession again. “His abhorrence to acquaint with me afresh is to me absolutely understandable,” Admiral Morrison accepted abreast in 1970.

When Elektra approached the Doors to pen columnist bios for their admission album, Jim took the befalling to adapt his own history. Asked to name his parents and siblings, he artlessly wrote, “Deceased.” For a time, alike his abutting accompany believed him to be an orphan.

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Morrison’s breach from him ancestors was total; they didn’t alike apprehend he was in a band. His brother Andy alone begin out aback a acquaintance showed him the Doors anthology awning and acicular out his affinity to the advance singer. “A acquaintance of abundance brought me the album,” he told Hopkins. “I’d been alert to ‘Light My Fire’ for months and didn’t know. That’s how we begin out. We hadn’t credible Jim or heard from him in two years. I played the anthology for my parents the day I got it, the day afterwards my acquaintance told me about it. Dad knows music. He plays piano and clarinet. Dad brand able melody. He hates electric guitars. He brand the old ballads. He doesn’t like rock. He listened to the anthology and afterwards he didn’t say a thing. Not a thing.”

Morrison’s mother Clara fabricated attempts to acquaintance him through Elektra Records, but the anew minted bedrock brilliant kept her at accoutrements length. He barred her from visiting him backstage during a gig in Washington, D.C., but did accord her a advanced row bench for the concert. Those in actualization afterwards said that the Oedipal area in “The End” arranged an added able bite that night.

Throughout the band’s travels, Morrison managed to accumulate in blow with Andy, who was aloof 19 in 1967. “I told him that mom acquainted absolutely bad aback he banned to see her. He told me if he alleged once, they’d apprehend calls every ages or so. He said, ‘Either you breach it, or you’re allotment of the ancestors – there’s no center point. Either you allocution all the time, or not at all.’” Morrison chose not at all.

Admiral Morrison beneath to allege about about his son until the end of his life. “We attending aback on him with abundant delight,” he said in Tom DiCillo’s documentary Aback You’re Strange, taped aloof afore his afterlife in 2008. “I had the activity that he acquainted we’d aloof as anon not be associated with his career. He knew I didn’t anticipate bedrock music was the best ambition for him. Maybe he was aggravating to assure us.”

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Densmore proposed accession acumen in his memoir. “Personally, I anticipate the adverse is true, that Jim did it to affirm ability and cut the umbilical bond already and for all.”

9. The chat “high” acquired several headaches for the band.

The Doors’ September 17th, 1967, actualization on the The Ed Sullivan Actualization infamously resulted in a lifetime ban afterwards Morrison abandoned the CBS Standards and Practices administration and sang the aboriginal lyric to “Light My Fire” – “Girl we couldn’t get abundant higher” – instead of their absolutely blah suggestion/demand: “Girl, we couldn’t get abundant better.” Producers and arrangement admiral were infuriated, and a stone-faced Sullivan denied Morrison the acceptable post-performance handshake, instead acid beeline to a bartering for Purina Dog Chow.

The bandage was airy by the incident. “They said, ‘You’ll never do this actualization again!’” recalled Densmore in the Classic Albums documentary. “And we said, ‘Well, we aloof did it. We alone capital to do it once. Cheers!’”

An beforehand attack at censorship had been added successful. “Break on Through (to the Added Side),” the aperture clue on The Doors, seemed like an accessible best for the band’s aboriginal single. But Rothchild was anxious that the song’s “She get high” burden would absolute its airplay potential. “He said, ‘You know, we’re not activity to be able to get this played, so we absolutely should cut that out,’” Densmore told Forbes in 2015. “We cautiously agreed.” The behind bandage was edited bottomward to a again “She get!” followed by Morrison’s glottal wail.

Though lyrically meaningless, the brusque access became a accustomed allotment of the song. Aback Botnick adequate the missing “high” as allotment of the 1999 remaster of The Doors, some bedrock purists were outraged.

10. The Doors – bare Morrison – agreed to authorization “Light My Fire” for a Buick ad. Aback Morrison begin out, he threatened to accident a Buick during every Doors concert.After the band’s 1968 European bout assured in Sweden on September 20th, Morrison absitively to break in London with adherent Pamela Courson and assignment on his balladry beneath the auspicious advice of biographer Michael McClure. It seemed like a abundant plan, except for the actuality that his bandmates knew abutting to annihilation about it. This accepted ambiguous aback assembly from Buick contacted the Doors, alms them $75,000 to authorization “Light My Fire” for an ad attack featuring the memorable slogan, “Come on Buick, ablaze my fire!”

“I anticipation it was an absorbing idea,” Manzarek afterwards told Patricia Butler and Jerry Hopkins in their book Angels Dance and Angels Die: The Tragic Romance of Pamela and Jim Morrison. “The car they capital to use it for was the Opel, a baby little ecologically actual car, a little four-cylinder, two-seater auto they formed on with the German Opel company. It wasn’t acutely a big Buick or annihilation like that.” (Some letters affirmation the agent in catechism was the less-than-eco-friendly Gran Sports GS455.)

The Doors had consistently vowed to breach both profits and decisions equally, but Morrison was out of acquaintance and Buick bare an answer. “Jim larboard boondocks and didn’t actualization any of us the account to acquaint us that he was leaving, how continued he would be gone, aback he was advancing home – he aloof disappeared,” the band’s alley manager, Bill Siddons, told Butler and Hopkins. “So Buick came up, offered us a agglomeration of money, exceptional money, to do article with a song that Robby wrote, and they all affectionate of went, ‘Well, gee. We’d absolutely like to accept accept Jim’s vote here, but it’s a lot of money and it’s absolutely big and could be important, so fuck it, let’s go!” Lawyer Max Fink captivated Morrison’s ability of attorney, and active the accord forth with the three added Doors.

Morrison was apoplectic aback he abstruse of the accommodation afterwards abiding home that November. “Jim told us he couldn’t assurance us anymore,” Densmore told Rolling Stone in 2013. “We had agreed that we would never use our music in any commercial, but the money Buick offered us had been adamantine to refuse. Jim accused us of authoritative a accord with the devil and said he would accident a Buick with a sledgehammer onstage if we let them [change the lyrics].”

One counterfeit adventure has Morrison angrily ramming 16 Buicks anchored on the Sunset Strip, accretion his own Porsche in the process. Accurate or not, he audibly bidding his frustrations to Siddons, Holzman and others in the band’s management, ambitious that the arrangement be rescinded. “They couldn’t booty it back, they’d already agreed to it,” says Siddons. An busy radio, television and book attack was already underway, including a advance aural afterimage of the Doors’ offices.

But it came to nothing. In the end, Buick scrapped the concept. They claimed that they alone absitively to go in a altered artistic direction, but conceivably a few words with an affronted Lizard King set them off the idea. Whatever the reason, the Buick adventure irreparably damaged the alliance of the Doors. “That was the end of the dream,” says Siddons. “That was the end of that era of Jim’s accord with the added assembly of the band; from afresh on it was business. That was the day Jim said, ‘I don’t accept ally anymore; I accept associates.’”

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Watch Doors’ 50th ceremony anniversary in Los Angeles.

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