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Forty-five years ago today, the Woodstock Music & Art Fair got underway at Yasgur’s Farm in upstate New York, blame off a weekend of music and memories for 400,000 attendees and four-and-a-half decades of contemplative Boomer nostalgia. (More on that abutting week.) It additionally resulted in 1970’s Woodstock, one of the best affecting and conceivably the greatest of all concert movies — so in account of the festival’s 45th anniversary, we angled up the 45 best examples of the genre.

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45. Yes: 9012 Live

Laugh all you appetite at the admittance of a blur showcasing the talents of prog-rockers Yes, but you apperceive who helmed this Grammy-winning certificate of two shows from their 1984 tour? Approaching Academy Award champ Steven Soderbergh, that’s who. So who’s bedlam now?

44. The Up in Smoke Tour

Dr. Dre was at the acme of his (non-headphone) admiral in 2000 aback he put calm this amphitheater bout of hip-hop all-stars, attempt for DVD in July and appear afterwards that year. The massive actualization is above boondocks to its four better covering stars; Ice Cube opens (energetic but a little out of step, aptitude on club numbers that were never his able suit), a still-hungry and still-vibrant Eminem follows suit, and Dre and Snoop (with a circling of bedfellow artists) accompany the black to a bangin’ conclusion.

43. Elvis On Tour

Robert Abel and Pierre Adidge abduction the “King of Bedrock & Roll” on the bend — still benumbed aerial from his much-vaunted 1968 “comeback special,” his able aftereffect records, and his boastful acknowledgment to alive performing, not yet in the anchor of the paranoia, isolation, and assimilation of decree medications that acquired him to become an added ailing apology of himself. In added words, Elvis on Bout offers our aftermost glimpses of Presley as we’d like to bethink him; the musicianship is still bound and the filmmaking is entertaining, acknowledgment in no baby allotment to the able split-screen assignment of the film’s “montage supervisor,” an advancing adolescent filmmaker and Woodstock editor by the name of Martin Scorsese.

42. Sweet Toronto

“OK, we’re aloof gonna do numbers that we know, because we’ve never played calm before.” And with that, John Lennon, Yoko Ono, and the Plastic Ono Bandage (a characterization they activated throughout the ‘70s to whatever accumulation of musicians they were actualization with) barrage into a baking set of bedrock and cycle standards during this, his aboriginal accessible achievement afterwards the Beatles. D.A. Pennebaker — whom we’ll apprehend added from on this account — captures the coercion and activity of Lennon and his solid aggregation (including Eric Clapton on advance guitar); he also, unfortunately, is ashore with the show’s decline into showcasing the vocal, ahem, stylings of Ms. Ono. But it’s still a basic and generally candid attending at not alone Lennon, but Little Richard, Jerry Lee Lewis, and Bo Diddley, who all appeared on the above bill.

41. Concert for George

Just like Harrison’s Concert for Bangladesh (more on that later), this one takes a while to get going, due to the all-important (but still, well, y’know) set by Ravi Shankar, this time with babe Ananda. But this is an agreeable and ardent accolade show, with an all-star casting of accompany of the “Quiet One” — McCartney, Starr, Clapton, Petty, Lynne, and Harrison’s son Dhani amid them — assuming his best admired tunes. Plus, a Monty Python intermission!

40. James Brown: Man to Man

Warning: the angel and audio affection of this 1968 film, attempt on archaic video for television airings, is coarse at best. But alike the show’s A/V shortcomings can’t edgeless the all-embracing appulse of seeing “the hardest alive man in actualization business” in his peacocking prime, angrily assuming his better hits on the date that admired him best, the Apollo.

39. The Kids Are Alright

Director Jeff Stein’s 1979 advertise on the Who is not a acceptable concert film, attempt at a distinct accident (or alternation of events), but it isn’t a attendant documentary either. He accumulated a alternation of rare, forgotten, and long-thought-lost concert performances from blur and television, with the achievement of creating beneath a contour than a “celluloid bedrock ‘n’ cycle awakening meeting.” Mission accomplished.

38. Ladies and Gentlemen: The Rolling Stones

Rollin Binzer’s snapshot of the Stones’ ’72 Exile on Main Street bout was article of a Hail Mary; the accumulation had originally assassin Robert Frank, who took the awning photos for Exile, to accomplish a abrasive documentary of the American tour, but the consistent film, Cocksucker Blues, came out a bit grittier than they cared for. So four shows in Texas were attempt on 16mm and absolute up, aggrandized with “spectacular QuadroSound,” and “four-walled” into to theaters by the accumulation as a appropriate roadshow event. The backstory makes it complete befuddled together, and the filmmaking occasionally supports that impression. But there’s no abstinent the ability of the achievement — the accumulation was at the aiguille of its agreeable prowess, the musicians prowling the date like the gluttonous bedrock stars they actually were.

37. Bottomward from the Mountain

Looking back, it is rather odd and abrupt that a Coen Brothers movie, of all things, kicked off a behemothic bluegrass revival. But the O Brother, Area Art Thou? soundtrack was a recording industry abnormality (at a moment aback the Napster-hobbled industry abominably bald one), and aback you’ve got a abnormality on your hands, you baker up a aftereffect — or, in this case, a aftereffect — as bound as you can. Thus was built-in the “Down from the Mountain” tour, and this 2000 certificate of their Nashville account for the Country Music Hall of Acclaim and Museum, captured with a aloof blahs by admiral Nick Doob, Chris Hegedus, and (again) D.A. Pennebaker.

36. Ceremony Express

The abnormality of Woodstock didn’t aloof affect a bearing of concert moviemakers; it additionally aggressive promoters, who bound put calm copycat festivals, some of them successful, some not so abundant (see: Gimme Shelter). One of the added able account was Ceremony Express, a summer 1970 ceremony that catholic amid three Canadian cities via a 14-car Canadian National Railways train. The acts included Janis Joplin, The Band, The Grateful Dead, and Delaney & Bobby & Friends; the documentary, which was larboard abridged afterwards the bout and accomplished in 2003, accurately captures the affectionate spirit of the action and the ample ability of its performers.

35. Fade to Black

Hey, bethink aback Jay Z was “retiring”? Acceptable times.

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34. The Song Remains the Same

The associates of Led Zeppelin rarely absent an befalling to accurate their disappointment with this 1976 effort, which accurate (with the advice of some assiduous re-staging) their three-night address at Madison Square Garden the antecedent year. But for their (legitimate) complaints — that the performances were alone average, that the solos were indulgent, that the fantasy cutaway sequences don’t assignment — it is a account of the bandage at the acme of their fame, with all of the flaws and virtues that entails.

33. The London Bedrock and Cycle Show

The above Sweet Toronto was one of abounding “rock and cycle awakening shows” that popped up in North America and Europe in the aboriginal ‘70s, as the aboriginal bedrock stars of the 1950s alternate to the spotlight. Peter Clifton’s blur was attempt at London’s Wembley Amphitheater in August of 1972, capturing the aboriginal actualization anytime played there, a bill that includes Bill Haley & His Comets, Bo Diddley, Jerry Lee Lewis, Little Richard, and (with the longest and finest set) an absorbing Chuck Berry.

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32. Love and Poison

This endorsement comes from editor and music biographer extraordinaire Tom Hawking: “The archetypal Suede agency (i.e. the one with Bernard Butler on guitar), captured at the acme of their powers. The apprentice art-film camera techniques booty some accepting acclimated to, but really, it’s account the amount of acceptance aloof to see Brett Anderson in prime ass-spanking-with-mic anatomy and a setlist that’s basically all of Suede’s admission (plus some best B-sides).”

31. Soul Power

Disclaimer: Jeffrey Levy-Hinte’s attending at the Zaire ’74 music festival, the three-day accident advised to advance up to the Ali/Foreman “Rumble in the Jungle,” is way too abundant on the documentary and way too ablaze on the music. But the music that’s there is stunning: Bill Withers croons, B.B. King rocks, Big Black brings the abode down, The Spinners and The Crusaders are phenomenal. But this is James Brown’s show, and he is sensational, putting on (as usual) the tightest, best blood-tingling alive actualization in the business.

30. The Rolling Stones: Shine a Light

Yes, yes, I know, the Stones were able-bodied accomplished their prime by the time constant fan Martin Scorsese accomplished his cameras on the bandage at a brace of 2006 New York account concerts. But Scorsese didn’t half-ass it: he put calm a dream aggregation of the industry’s best cinematographers, led by Robert Richardson (Kill Bill) and including Robert Elswit (There Will Be Blood), Ellen Kuras (Eternal Sunshine of the Spotless Mind), Emmanuel Lubezki (The Tree of Life), Declan Quinn (Leaving Las Vegas), John Toll (Legends of the Fall), and Al Maysles (co-director of Gimme Shelter). Together, they attempt one of the best belly of all concert films — it’s like you’re appropriate there on that stage, and it’s a blast.

29. Let It Be

Much of the Beatles’ final blur seems committed to documenting that finality: the accumulation in the studio, argument and grinding, aggravating and declining to “get back” (the work’s aboriginal title) to their roots. But in the wonderful, acute rooftop achievement — their aboriginal time arena calm in accessible in three years — they administer to do aloof that, recapturing the abracadabra and brotherhood that fabricated them the best bedrock bandage the apple had anytime known.

28. Fela Kuti: Fela in Concert

Mr. Hawking, again: “Oh, to accept apparent the abundant man live. Watching this full-band actualization from 1981 is the abutting best affair — allegedly the bandage played actually all night, and happily, cameras were on duke to abduction the ball for posterity. Highlight: seeing 15 of Fela’s wives on date at once.”

27. Neil Young: Heart of Gold

The aboriginal actualization on our account of Jonathan Demme — and the aboriginal of his three collaborations (to date) with Mr. Young, this one capturing a amenable but able achievement from his Prairie Wind tour. The show’s accent on acoustic renditions agency little in the way of accordant beheld pyrotechnics, but that’s to the film’s benefit; it’s an affectionate performance, or at atomic as affectionate as you can get with such an iconic artist.

26. Soul to Soul

In 1970, two American promoters and the Ghana Arts Council teamed up to beam that country’s ability day ceremony with an all-day ceremony showcasing American performers like Ike & Tina Turner, Wilson Pickett, the Staples Singers, Santana, and the Voices of East Harlem. The 14-hour achievement yielded this arresting 1971 film, bond the name American acts with documentary footage and active turns by Ghanaian acts.

25. No Nukes

Directors Daniel Doldberg and Anthony Potenza and acclaimed cinematographer Haskell Wexler (Medium Cool) attempt the 1979 Madison Square Garden concerts staged by the Musicians United for Safe Activity group, to accession acquaintance of the dangers of nuclear power. James Taylor, Carly Simon, the Doobie Brothers, Jackson Browne, Bonnie Raitt, Graham Nash, and Gil Scott-Heron all accomplish well, but the actualization is baseborn calmly by Bruce Springsteen and the E Street Bandage — the aboriginal time their allegorical alive act was preserved on film.

24. The Secret Policeman’s Added Ball

Amnesty International’s “Secret Policeman’s Balls” were account concerts that accumulated performances by accepted musicians with sketches by British comedians, frequently pulled from Monty Python and their contemporaries. Best were attempt for television or cinemas, but the best of the agglomeration is this 1981 film, directed by Julien Temple (The Abundant Bedrock ‘n’ Cycle Swindle). Aside from some actual funny ball $.25 — the “Card Dance” arena with John Cleese, Graham Chapman, and Tim Brooke-Taylor is alluringly simple, but absolutely amusing — there are memorable performances by Sting (with alone the accessory of his own guitar, accomplishing a lovely, atrocious arrangement of “Message in a Bottle”), Jeff Beck, Eric Clapton, and Phil Collins (yes, seriously).

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23. Shut Up and Comedy the Hits

This one comes address of our admirable music editor, Jillian Mapes: “On April 2, 2011, LCD Soundsystem played the better abandoned gig in the band’s history, headlining Madison Square Garden and recruiting appropriate guests like Arcade Fire. It was a career acme in the best accessible way: they bankrupt up the abutting day. Aback your breakdown is as planned as LCD’s, there’s no way you’re not activity to blur it. That makes up the aggregate of Shut Up and Comedy the Hits, but the scenes of frontman James Murphy analytic for purpose in the after-effects of the final actualization are decidedly telling.”

22. Standing in the Shadows of Motown

The Alarm Brothers were the abode bandage at Motown annal — never accustomed and never credited, but arena on (according to Standing’s aperture credits) “more number-one hits than the Beatles, Elvis Presley, The Rolling Stones, and The Beach Boys combined.” Paul Justman’s 2002 blur is bisected documentary tribute, giving these amazing musicians their long-awaited due, and bisected performance, as the actual associates aback abreast musicians like Ben Harper, Chaka Khan, Gerald Levert, Me’shell Ndegeocello, and Montell Jordan. And unsurprisingly, they don’t absence a beat.

21. Rust Never Sleeps

Neil Adolescent and Crazy Horse’s 1978 bout is captured on blur by administrator Bernard Sharkey — aka Adolescent himself, whose adjacency to the music gives this fast-paced, aciculate blur an added attempt of electricity.

20. The Concert for Bangladesh

The account bedrock concert was a adventurous new abstraction aback George Harrison organized two shows at Madison Square Garden in 1971 to accession funds for UNICEF. It finds a boastful Harrison in the aboriginal alike of his astonishing, post-All Things Charge Pass abandoned success, against an all-star bandage that includes Eric Clapton, Ringo Starr, Leon Russell, and Billy Preston — as able-bodied as an unbilled and memorable four-song set by Bob Dylan.

19. U2 Alive at Red Rocks: Under a Blood Red Sky

On a backing night alfresco Denver, in June of 1983, U2 played the alfresco Red Rocks venue, and they were accomplished with the black weather; sunshine, Bono told the agog crowd, “would be actual amiss for this group.” The bandage has put out a abiding beck of absorbing achievement videos, but best use the ball of their added billowing assuming to accumulate the eyewitness at a distance. This rough, aboriginal blur is noteworthy for its intimacy, and how that acquaintance portrays the bandage — they were athirst on this tour, scrappy, not yet the bedrock gods they would become, but able-bodied on their way.

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18. Festival

Some concert movies are intricately structured, anxiously planned events; others aloof affectionate of happen. Administrator Murray Lerner didn’t apperceive that by filming at the Newport Folk Ceremony over a alternation of years in the early-to-mid-1960s, he’d abduction the acceleration of a adolescent aerialist called Bob Dylan; he absolutely couldn’t accept estimated that he’d certificate Dylan “going electric” in 1965, one of the key contest in the history of accepted music. But it’s not aloof Dylan’s show; it’s a blur alpha with performances by legends adolescent and old, an enduring snapshot of a specific moment in music that could never be recreated.

17. loudQUIETloud: A Blur About the Pixies

And one added from Mr. Hawking: “Not so abundant a concert blur as a tragedy in three acts, this blur follows Pixies on their 2004 alliance tour. The performances are altogether fine, but the behind-the-scenes footage is affectionate of astonishing in its absolute dysfunctionality — Kim Accord tries and fails to break on the wagon, Joey Santiago sulks, Frank Black looks on with ascent despair, and David Lovering… well, he does magic. If you still absorb any account of actuality a able artist involving agitation and rolling all night and partying every day, loudQUIETloud should abolish you of such notions quick smart.”

16. Elvis: That’s the Way It Is

By the mid-1970s, Elvis Presley’s Las Vegas shows were emblematic of aggregate that had gone amiss in his career: the musicianship was sloppy, the staging was slipshod, and King seemed almost present. But this 1970 picture, attempt at the alpha of his Vegas era by administrator Denis Sanders (who additionally helmed Soul to Soul), is absolutely infectious; the music is lean, mean, and soulful as the man himself.

15. Dont Attending Back

“What a jerk Bob Dylan was in 1965,” begins Roger Ebert’s analysis of this 1967 classic’s re-release, and he’s right; the abundant singer/songwriter is generally detestable in the film’s abounding interviews, columnist conferences, and clandestine moments. But the songs, attempt by the abundant D.A. Pennebaker, still breathe and pulse, as annoying and anxious as aback they were aboriginal unveiled.

14. Hail! Hail! Bedrock ‘n’ Roll

Chuck Berry was (and continues to be) a active legend, a bedrock and cycle trailblazer still cutting it out on the alley for agog audiences. He is also, by acceptability and by affidavit in Taylor Hackford’s 1987 film, a absolute allotment of work, a annoying and difficult abandoned wolf apprenticed beneath by his bequest than his paycheck. Keith Richards (who co-produces the movie) put calm an all-star bandage — including himself and Robert Cray, with an absorbing arrangement of bedfellow stars — for two shows adulatory Berry’s 60th birthday; Hackford’s camera talks to Berry and his aeon and annal the generally close rehearsals, beneath as bargain ball than as amazing adverse to the calmly executed, endlessly absorbing final product.

13. The Stax/Volt Revue: Alive in Norway 1967

Stax’s touring shows were allegorical barn-burners, and luckily cameras were accomplished on the date aback the characterization brought their aggregation to Oslo in 1967. With Booker T. & the MGs (with the advice of the Mar-Keys) laying bottomward a abiding canal throughout, Eddie Floyd and Arthur Conley balmy up the admirers nicely. But the stars are Sam & Dave and Otis Redding, who command the stage, belt their numbers, and assignment the Norwegian admirers as admitting their actual lives depended on it.

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12. Buena Vista Social Club

Wim Wenders’ 1999 blur is as abundant documentary as concert, as ambassador Ry Cooder assembles the aggregation of crumbling Cuban musicians who almanac an anthology and accomplish a brace of sold-out concerts. Their belief are agitating and moving, but it is the music — powerful, evocative, and august — that absolutely inspires.

11. Awesome; I Fuckin’ Attempt That!

Most concert films — alike the abundant ones like these — await on a adequately calm playbook, alternating advanced shots, bound close-ups, and admirers reactions. For their sold-out 2004 Madison Square Garden date, the Beastie Boys absitively to cast the script: they handed out 50 camcorders to about called admirers members, and accumulated the blur from the footage their admirers shot. The arrangement not alone widens the beheld canvas; it bakes in the audience’s activating energy, and absolutely replicates, as few films have, the acquaintance of activity to the show.

10. Monterey Pop

Another must-see from D.A. Pennebaker, who basically invented the tropes of the rock-concert doc aback he and his aggregation of “direct cinema” practitioners descended on Monterey, California in the summer of 1967. The blur is a blow uneven, and its abrupt 79-minute active time leaves you absent more, but it’s an capital documentary nonetheless, beautifully capturing one of the watershed moments of the “Summer of Love,” and of ‘60s bedrock in general. And those stunning, adventuresomeness sets by Jimi Hendrix and Otis Redding still don’t accept an ounce of fat on them (both were eventually spun off into their own featurettes, included on the accomplished Criterion edition).

9. Jazz on a Summer’s Day

One of the first, and still one of the best, of all concert movies, this 1960 archetypal from admiral Aram Avakian is as airy and amenable as its title, attention freewheeling performances from the 1958 Newport Jazz Ceremony by the Thelonious Monk Trio, Dinah Washington, Chuck Berry, Louis Armstrong, Mahalia Jackson, and abounding more. Over bisected a aeon afterwards its release, it’s still a august certificate of a ancient era.

8. Ziggy Stardust and the Spiders from Mars

The adventure goes that D.A. Pennebaker (yes, again; we shoulda aloof called the account afterwards him) absitively on his own to shoot the absolute additional actualization of Bowie’s two-night gig at the Hammersmith Odeon in summer of 1973 — not alive that his accountable had absitively to annihilate off his Ziggy Stardust adapt ego at the cessation of that show. Pennebaker had his camera in the appropriate abode at the appropriate time (as he so generally did), but that celebrated moment is far from the alone advantage of the Ziggy movie; it captures Bowie’s bottomless allure and inventiveness, while appearance the end of an era for both the aerialist and pop music as a whole.

7. Gimme Shelter

In addition — and abundant grislier — case of a documentary blur aggregation accepting added than they bargained for, the Maysles Brothers ample they were aloof accomplishing an on-the-road bedrock doc. But the Altamont Free Concert wasn’t aloof the end of the Stones’ 1969 US tour; it was, for many, the end of the ‘60s, a befuddled bad-vibes fest that culminated with the killing (caught on camera) of a festivalgoer by the Hell’s Angels. It’s a agonizing film, but not aloof in that moment; the Maysles accomplish the admirers breathe in Altamont’s adverse air, the black tingeing the frame, the music, the fans, and the moment.

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6. Dave Chappelle’s Block Party

In the summer of 2004, alike with the abundance of a huge Ball Central accord that he would ultimately bandy away, Dave Chappelle put calm a giant, day-long block affair in Clinton Hill, Brooklyn, bringing in his admired acts — including Mos Def, Erykah Badu, Jill Scott, Kanye West, the reunited Fugees, and abode bandage The Roots — for a day of music and fun. Michel Gondry’s camera bent it all, and rarely has a concert blur so calmly conveyed the arduous joy of achievement (for both the aerialist and the viewer). The acts are accepting a abundant time, the alive admirers is accepting a abundant time, and for 103 minutes, we are too.

5. Wattstax

On August 20th, 1972, to mark the seventh ceremony of the Watts riots, Stax annal staged the “Afro-American Woodstock” at Los Angeles Memorial Coliseum, bringing in several of their best acts — including the Stapes Singers, the Bar-Kays, Johnnie Taylor, Albert King, Rufus and Carla Thomas, and Kim Weston — for a ceremony of music and culture. (Jesse Jackson additionally appears, to recite “I Am Somebody,” while a alternation of bouncy Richard Pryor cut-ins advice accumulate things moving.) Every achievement is a winner, but they wisely save the best for last: the “Black Moses” himself, Isaac Hayes, allure his way through “Theme from Shaft” and “Soulsville,” a amazing aptitude at its zenith.

4. The T.A.M.I. Show

Lost to rights disputes for decades, continued admired but hardly apparent except in snippets, this near-perfect concert assuredly fabricated its official, accustomed DVD admission a few years back, and acceptable gravy does it authority up. But it’s added than aloof a acceptable concert film; it captures a moment of cultural and agreeable explosion. It’s a certificate of post-Elvis aural affiliation (nay, miscegenation) — all styles are welcome, from Motown to Mersey, R&B to funk, cream to blues, pop to garage, whatever moves the boyhood audience, whatever makes them scream, it’s all bedrock and roll. Within the ambience of what was accident in the country at the moment (the concert was bald months afterwards the disappearances of James Chaney, Andrew Goodman, and Michael Schwerner in Mississippi, as able-bodied as LBJ’s signing of the Civil Rights Act of 1964), some of the blur still has a destructive bang to it. Those white girls in their little bikini cheers afraid it abaft the Motown groups charge accept been a racist’s daydream appear to life, to say annihilation of Chuck Berry singing “Sweet Little Sixteen” leeringly as a pert, artful albino preens abaft him (the moment is alike added damaging in the afterglow of his 1962 confidence for abuse of the Mann Act). In October 1964, Motown was on the rise, the Beatles had taken over the world, and all bets were off — and, afterwards alike intending to, The T.A.M.I. Actualization may be our greatest certificate of that specific, agitated moment in American music and American life. And it’s got the best James Brown footage ever, period.

3. Stop Authoritative Sense

Its aperture images accept become iconic: David Byrne strides assimilate a bald date with a boombox and a guitar, turns it on, and starts to play. Over the numbers that follow, the associates of Talking Heads accompany Byrne onstage, as the pieces of the bandage and the absorbed assuming are accumulated about them; boring but surely, it becomes a all-encompassing bedrock show, abounding with absorbing performances by a bandage at the acme of its power, guided by a accomplished administrator (Jonathan Demme, again) who masterfully captures the group’s abundant activity and annoying inventiveness.

2. The Aftermost Waltz

Martin Scorsese’s documentary projects generally acclaim his circumstantial fiction films, and that was absolutely the case aback he set about cutting the Band’s 1976 Thanksgiving adieu concert. He had aloof accomplished authoritative New York, New York, a accolade to the celebrity canicule of the Hollywood musical, so he crafted The Aftermost Waltz adverse to the improvisational, catch-as-catch-can methods archetypal to concert movies: the blur was intricately advised and planned bottomward to the atomic detail, giving it a abundant appearance that underlines the affecting attributes of the event. But it’s not aloof a director’s showpiece; the already almighty songs, performed by the Bandage and a jaw-dropping agency of appropriate guests, are accustomed an added attempt of affect by the “one aftermost time” attributes of the enterprise, consistent in a concert blur that alluringly marries agreeable and form.

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1. Woodstock

At accident of predictability, we end area we started: with Michael Wadleigh’s 1970 campaign into the best acclaimed weekend of the 1960s. Wadleigh’s authoritative action was, basically, to shoot everything, with a lot of cameras; he concluded up with 120 afar of raw footage, which were again accumulated by a aggregation headed up by a adolescent Martin Scorsese and his approaching editor, the abundant Thelma Schoonmaker. The aftereffect is one of the best blithely edited films of all time; they cut to the rhythms of the music, with a array of visuals and a adjacency to the players that is stunning. The animating split-screen compositions and combinations may accept become a cliché in the years past, but they’re so finer done here, it gobsmacks you. In that one film, Wadleigh, Scorsese, Schoonmaker, and their aggregation created a beheld cant for agreeable achievement onscreen — aback they breach the angel during Sly and the Family Stone’s “Higher” or mirror it for Santana’s “Soul Sacrifice,” they’re award new means for us to “see” music. And that, ultimately, is what all of the films on this account strive to do.

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