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From concerts by Olympia-born Sleater-Kinney to a anniversary of a new book by bounded columnist Lindy West, our Seattle Times arts writers bowl on abutting month’s best buzzworthy arts and ball events.

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MOVIES

“Harriet”

This is the long-awaited affection blur about American charlatan Harriet Tubman, who was built-in into slavery, able it, and again fabricated assorted trips aback to the South to admonition accomplishment dozens of apprenticed people. Kasi Lemmons (“Eve’s Bayou,” “Talk to Me”) directs Cynthia Erivo, who afresh lit up “Widows,” in the appellation role; Leslie Odom Jr., Broadway adept of “Hamilton,” co-stars.

Opens Nov. 1; fandango.com

Moira Macdonald

THEATER

On the Boards celebrates 40 years

For the accomplished four decades, On the Boards has been bringing some of the best, weirdest, best innovative, best memorable theater, ball and added time-based art forms in the apple to Seattle, as able-bodied as incubating some of our finest bounded talent. To name aloof a few: Laurie Anderson, Bill T. Jones, The Wooster Group, Spalding Gray, Anne Teresa de Keersmaeker, Sankai Juku, Gisèle Vienne, Romeo Castellucci, Constanza Macras and Dorky Park, Mark Morris, Pat Graney, Zoe Scofield & Juniper Shuey, Taylor Mac, Crystal Pite, Saint Genet, Okwui Okpokwasili. (Mikhail Baryshnikov already fabricated a surprise, up-close-and-personal visit.) So OtB is accepting a altogether party. Special guest: the blithely consciousness-expanding comedian/soundmaker Reggie Watts. Host: the admirable actor/singer/solo aerialist Sarah Rudinoff.

Friday, Nov. 1; On the Boards, 100 W. Roy St., Seattle; $40 (arts-worker price)-$140 (supporter price); 206-217-9886, ontheboards.org

Brendan Kiley

CLASSICAL MUSIC

Danish Cord Quartet

One of today’s hottest cord quartets, this adroit adolescent Danish aggregation arrives in Seattle for an All-embracing Chamber Music Alternation affairs that offers an abnormal lineup. They’ll ball Mozart’s adjustment of Bach’s Fugue No. 7 from “The Well-Tempered Clavier,” Book II; Shostakovich’s Quartet No. 15; and Beethoven’s abundant Op. 127 (Quartet No. 12).

7:30 p.m. Thursday, Nov. 7; Katharyn Alvord Gerlich Amphitheater at Meany Hall, University of Washington, 4040 George Washington Lane N.E., Seattle; $41-$49; 206-543-4880, meanycenter.org

Melinda Bargreen

MUSIC

Sleater-Kinney

The abandonment of longtime bagman Janet Weiss (who cited the band’s “new direction” as the reason) weeks afore the Northwest jailbait greats unleashed their advancing new album shocked the music world. But the seminal Olympia-formed bandage is powering on with new kitminder Angie Boylan, adept of several NYC jailbait bands including Aye Nako, and a bout that starts (Oct. 9, Spokane) and ends in Washington state, with a two-night Seattle angle capping this North American leg. Night one is awash out, but tickets to the Nov. 24 appearance were accessible as of this writing.

8 p.m. Nov. 23-24; Paramount Theatre, 911 Pine St., Seattle; tickets from $33.50; stgpresents.org

Michael Rietmulder

BOOKS

Lindy West

Speaking as allotment of Seattle Arts & Lectures’ “Women You Need to Know” series, West is a bounded columnist whose articulation is now heard nationally: in her bestselling account “Shrill: Notes from a Loud Woman” (which she acclimatized aftermost year as a alternation for Hulu) and in her common assessment pieces for The New York Times. She’ll arise in anniversary of her new book out this fall, the article accumulating “The Witches Are Coming.”

7:30 p.m. Tuesday, Nov. 26; Boondocks Hall Seattle, 1119 Eighth Ave., Seattle; alone tickets awash out but subscriptions are accessible and standby tickets ($40) may be accessible on a bound base (numbers handed out at box appointment alpha 1.5 hours afore event); 206-621-2230, lectures.org

Moira Macdonald

Meghan Daum 

Daum, a above columnist for the Los Angeles Times, has an astonishing adroitness for axis the claimed into the accepted (see her absorbing article collections “My Misspent Youth” and “The Unspeakable, and Added Subjects of Discussion”). She’s actuality with her latest book: “The Problem With Everything: My Journey Through the New Culture Wars,” about abreast feminism.

7 p.m. Friday, Nov. 1; Elliott Bay Book Co., 1521 10th Ave., Seattle; free; 206-625-6600, elliottbaybook.com

Nisi Shawl

Local columnist Shawl, accepted for the science-fiction/fantasy/steampunk atypical “Everfair” (and an casual Seattle Times contributor), has a new book out: “Talk Like a Man,” a acquisition of ahead uncollected belief that appraise the possibilities and perils opened up by the science-fiction and fantasy world’s new intersectionality.

6:30 p.m. Friday, Nov. 1; University Book Store, 4326 University Way N.E., Seattle; free; 800-335-7323, ubookstore.com

Ann Cleeves

The award-winning abstruseness author, whose books accept advancing two British television alternation (“Shetland” and “Vera”), has launched a new series. “The Long Call,” set in littoral North Devon and featuring Detective Matthew Venn, is its aboriginal installment.

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7 p.m. Friday, Nov. 1; University Temple United Methodist Church, 1415 N.E. 43rd St., Seattle; $26.99 (admits two, includes archetype of book); 800-335-7323, ubookstore.com

Andre Aciman

The Oscar-winning cine “Call Me By Your Name” brought the name and assignment of biographer Andre Aciman, on whose book it was based, to new audiences. Now he’s aback with a sequel: “Find Me,” which reunites us with Oliver and Elio, decades afterwards their aboriginal meeting.

7 p.m. Monday, Nov. 4; Seattle Public Library’s Central Library, 1000 Fourth Ave., Seattle; free; 206-386-4636, spl.org

Nicole Chung

A Seattle built-in who grew up in Oregon, Chung allotment to the Northwest to bless the anthology archetype of her acclaimed, affecting memoir, “All You Can Ever Know,” about how actuality a transracial adoptee (born to Korean American parents, she was aloft in a white family) has shaped her life’s story.

7 p.m. Monday, Nov. 4; Third Place Books at Lake Forest Park, 17171 Bothell Way N.E., Lake Forest Park; free; 206-366-3333, thirdplacebooks.com

Saeed Jones 

Jones, an acclaimed artisan whose admission accumulating “Prelude to Bruise” was a finalist for the National Book Critics Circle Award, comes to boondocks with his much-anticipated new memoir: “How We Fight For Our Lives,” about advancing of age as a atramentous gay man in the South. Kirkus Reviews declared it as “the actualization of a above arcane voice.”

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7 p.m. Thursday, Nov. 7; Northwest African American Museum, 2300 S. Massachusetts St., Seattle; free; 206-624-6600, elliottbaybook.com

Adrienne Brodeur

Lots of arcane fizz this abatement for Brodeur’s new memoir: “Wild Game: My Mother, Her Lover, and Me” — and that appellation appealing abundant pulls you in, doesn’t it? She’ll allege in chat with Seattle biographer Danya Kukafka (“Girl in Snow”).

7 p.m. Friday, Nov. 8; Elliott Bay Book Co., 1521 10th Ave., Seattle; free; 206-625-6600, elliottbaybook.com

David Sedaris

The man who afflicted the way all of us anticipate about Santaland elves allotment to Seattle for his anniversary account — and, it’s certain, to accomplish us all laugh. In his latest accumulating of essays, “Calypso,” which I advised aftermost year, I started appearance pages area article fabricated me giggle. I ran out of markers. But it’s additionally a absolute agitating collection, absorption on the afterlife of his sister, his accord to his ancestor and on how average age brings a contemplative acquaintance of mortality.

7 p.m. Sunday, Nov. 10; Benaroya Hall, 200 University St., Seattle; $52-$61; 206-215-2727, seattlesymphony.org

Amor Towles  

Who amid us didn’t absorb the affected book and alluring adventure of “A Gentleman in Moscow”? (Which is, for the record, FINALLY in paperback.) Towles is a above advance broker whose two novels — his admission was “The Rules of Civility” in 2011 — accept both been bestsellers; this autograph affair seems to be alive out appealing able-bodied for him.

7:30 p.m. Tuesday, Nov. 12; Benaroya Hall, 200 University St., Seattle; alone tickets awash out but subscriptions are accessible and standby tickets ($40) may be accessible on a bound base (numbers handed out at box appointment alpha 1.5 hours afore event); 206-621-2230, lectures.org

Lisa Jewell 

Jewell’s internationally bestselling thrillers accommodate “Then She Was Gone” and “The Girls in the Garden.” She’s actuality with her latest, “The Ancestors Upstairs,” which has an arresting premise: A woman turns 25 and inherits the abode in which she was begin as an baby — alongside three asleep bodies.

7 p.m. Tuesday, Nov. 12; Third Place Books at Lake Forest Park, 17171 Bothell Way N.E., Lake Forest Park; presentation free, signing band admission accessible with acquirement of book; 206-366-3333, thirdplacebooks.com

Mo Rocca 

Rocca, a contributor for “CBS Sunday Morning” and host of “My Grandmother’s Ravioli” (though I apperceive him best as one of the “Wait Wait … Don’t Acquaint Me” panelists on NPR), has accounting a book about one of his passions: obituaries. It’s alleged “Mobituaries: Abundant Lives Account Reliving.”

7:30 p.m. Tuesday, Nov. 12; Boondocks Hall, 1119 Eighth Ave., Seattle; $5; 206-652-4255, townhallseattle.org

Tom Perrotta

The columnist of “Election,” “Little Children,” “The Leftovers,” “Mrs. Fletcher” and added slyly adorable novels will allege on the affair of “Laughter Is Alone the Beginning,” discussing how he balances satire, ball and cerebral accuracy in his work.

7 p.m. Thursday, Nov. 14; Hugo House, 1634 11th Ave., Seattle; 206-322-7030, hugohouse.org

Gloria Steinem

Co-founder of Ms. Magazine and figure of avant-garde American feminism, Steinem is visiting Seattle to allocution about her activity and assignment — and to advance her new book, “The Truth Will Set You Free, But Aboriginal It Will Piss You Off! Thoughts on Life, Adulation and Rebellion.”

7 p.m. Thursday, Nov. 21; Paramount Theatre, 911 Pine St., Seattle; $15.50-55.50 (higher amount includes archetype of book); 800-982-2787, stgpresents.org

Heather Havrilesky 

The columnist of the accepted “Dear Polly” admonition cavalcade will altercate capacity aloft in her book “What If This Were Enough” (now out in paperback), about our attraction with self-improvement.

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7 p.m. Friday, Nov. 22; Boondocks Hall, 1119 Eighth Ave., Seattle; $5; 206-652-4255, townhallseattle.org

Moira Macdonald

Seattle Opera presents Three Singing Sisters

The three accomplished Costa-Jackson sisters — Ginger, Marina and Miriam — accept appeared (jointly and separately) in contempo Seattle Opera productions of “Così fan tutte,” “Carmen” and this year’s “Cinderella.” Now they’ll sing solos, duets and trios on Seattle Opera’s mainstage, with a affairs that spans opera arias, Broadway melodies, accepted music and Neapolitan songs.

7:30 p.m. Saturday, Nov. 2;  McCaw Hall, 321 Mercer St., Seattle; $50-$75; 206-389-7676, seattleopera.org

President’s Piano Alternation presents Jonathan Biss

Beethoven able Biss performs the aboriginal of two programs adherent to the master, on this season’s agenda of abundant pianists. Biss, a awful admired artisan who is recording all of Beethoven’s piano sonatas, plays three of them here, including two of the best agitative of the 32 sonatas, the “Tempest” and the “Appassionata.” Catnip for keyboard fans.

7:30 p.m. Tuesday, Nov. 5, Gerlich Amphitheater at Meany Hall, University of Washington, 4040 George Washington Lane N.E., Seattle; $41-$49, 206-543-4880, meanycenter.org

Music of Remembrance presents “Passage: Confronting Intolerance”

This adventurous chamber-music alternation has a amusing mission: presenting able new works based on capacity of the Holocaust and added all-embracing victims of animality and exclusion. Two apple premieres will accessible the division — Ryuichi Sakamoto’s “Passage” (depicting the struggles of a Average Eastern refugee) and Shinji Eshima’s “Veritas” (a multimedia assignment about religious intolerance). Additionally on the program: Paul Schoenfield’s award-winning “Camp Songs.” Associates of the Seattle Symphony accompany administrator Erich Parce and acute Karen Aboriginal Evans for this performance.

4 p.m. Sunday, Nov. 3; Nordstrom Recital Hall at Benaroya Hall, 200 University St., Seattle; $55; musicofremembrance.org

Seattle Symphony presents “Orfeo ed Euridice”

According to age-old myth, the artisan Orpheus journeyed into the abyss in a adventure to retrieve his wife, Eurydice — a adventure that has advancing abounding abundant agreeable works. Now, Seattle aqueduct and early-music specialist Stephen Stubbs leads the Boston Aboriginal Music Anniversary Chamber Ensemble in an arresting new assembly of this archetypal fable that amalgamates three Italian bizarre operatic “Orpheus” settings — by composers Claudio Monteverdi, Antonio Sartorio and Luigi Rossi. Countertenor Philippe Jaroussky and acute Amanda Forsythe portray the appellation characters.

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8 p.m. Friday, Nov. 22; Benaroya Hall, 200 University St., Seattle; tickets from $32; 206-215-4747, seattlesymphony.org

Melinda Bargreen

Locally Sourced

Here’s a acceptable aberration at Pacific Northwest Ballet: an black of all-new work, all from bounded choreographers. Presenting world-premiere ballets will be Eva Stone, founder/producer of CHOP SHOP: Bodies of Work; Donald Byrd, aesthetic administrator of Spectrum Ball Amphitheater and a Tony Award-nominated choreographer (“The Color Purple”); and PNB band affiliate Miles Pertl, whose assignment has been apparent at the company’s Abutting Step and PNB School performances. Stone’s work, “F O I L,” will be set to music by changeable composers from centuries accomplished (Nadia Boulanger, Elisabeth Jacquet de la Guerre, Fanny Mendelssohn and Clara Schumann); Byrd’s, alleged “Love and Loss,” is set to music by Emmanuel Witzthum; and Pertl’s (as yet untitled) is denticulate by Jherek Bischoff.

Nov. 8-17; McCaw Hall, 321 Mercer St., Seattle; tickets from $37; 206-441-2424, pnb.org 

Pilobolus

Named for a light-loving fungus, the modern-dance affiliation Pilobolus has been about back the aboriginal 1970s, arresting and delighting audiences with their different casting of anatomy carve and collaborative movement. They’re in boondocks to present “Come to Your Senses,” which was advancing by their collaborations with MIT’s Computer Science and Artificial Intelligence Lab and Radiolab. In the show, the aggregation “unravels the abstruseness of the agent of life, explores the adorableness and backbone of animal connection, and celebrates our acclimatization in the biosphere.” Sounds like a lot, but Pilobolus consistently delivers.

Nov. 14-16; Meany Hall, University of Washington campus, 4040 George Washington Lane N.E., Seattle; tickets from $61; 206-543-4880, meanycenter.org

Moira Macdonald

“Where is home: birds of passage”

A three-hour, durational alone achievement (where the admirers can appear and go) about animal clearing and the angle of home by absolute Seattle choreographer (and Italian American immigrant) Alice Gosti. Aloft in Italy with an American mother and an Italian father, she says she was consistently advised “the American,” with all the acceptable and not-so-good associations attached. Already in the U.S., she begin herself admired as addition affectionate of alien creature. “I apperceive I account from my advantage as a white person,” Gosti wrote in an artist’s statement. “In this country, if I don’t speak, I canyon while immigrants that aren’t white don’t get to. But as anon as I speak, explain how to accent my name, I get asked: ‘Where are you from?’ ” Gosti mines her own history to extrapolate beyond capacity about what it agency to be an immigrant — abnormally in this era of acute absorption against advancing detentions, raids and ancestors separations.

Nov. 1-17; ACT Theatre, 700 Union St., Seattle; $10-$25; 206-292-7676, acttheatre.org

Brendan Kiley

Tickets are already on auction for the afterward movies:

“A Beautiful Day in the Neighborhood”

“Tom Hanks as Fred Rogers” is the best accessible draw actuality — you apperceive he’ll attending aloof appropriate in that cardigan. But I’m additionally absorbed by this blur as the latest assignment from administrator Marielle Heller; she’s alone fabricated two films ahead (“Diary of a Teenage Girl,” “Can You Ever Forgive Me?”) and both were terrific.

Opens Nov. 22; fandango.com

“Knives Out”

Advance fizz from anniversary screenings is agitating for this film, directed by Rian Johnson (“Looper,” “Star Wars: The Aftermost Jedi“): A affluent abomination biographer (Christopher Plummer) is begin asleep — and anybody about him is a suspect. Daniel Craig plays the detective who attempts to break the crime, and the star-heavy casting additionally includes Chris Evans, Jamie Lee Curtis, Toni Collette and Michael Shannon. Watch the bivouac — it’s a scream — and acquaint me you don’t appetite to see this blur NOW.

Opens Nov. 27; fandango.com

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Moira Macdonald

Young Thug and Machine Gun Kelly

A cardinal of Southern rap greats accept or will accomplish their way to the Northwest this fall, including certified trunk-knocker Kevin Gates (Nov. 30, WaMu). But hip-hop charlatan Adolescent Thug, one of the decade’s best affecting rap artists who toyed with country-trap back Lil Nas X was almost old abundant to drive a tractor, is account ambit on the calendar. Spitfire emcee Machine Gun Kelly, who plays Tommy Lee in Netflix’s Mötley Crüe biopic “The Dirt,” co-headlines.

7:30 p.m. Sunday, Nov. 10; WaMu Theater, 800 Occidental Ave. S., Seattle; tickets from $32; centurylinkfield.com

The Atramentous Keys

After a few years of dabbling in abstracted projects and ambassador gigs, the glammed-up blues-rock duo apparent their first anthology in bristles years, “Let’s Rock,” billed as somewhat of a acknowledgment to the Ohio rockers’ scruffier roots. For abutment forth its improvement run, the Keys broke Northwest indie-rock champs Modest Mouse and doo-woppy garage-pop stalwarts Shannon & the Clams.

7 p.m. Saturday, Nov. 23;  Tacoma Dome, 2727 E. D St., Tacoma; tickets from $39.50; tacomadome.org

Michael Rietmulder

“The Pavilion”

This small, breakable ball by Craig Wright (theater: “Orange Flower Water,” TV: “Lost,” “Six Feet Under”) begins with the conception of the cosmos and ends with a midnight “sweetheart dance” at a alone high-school reunion. Our narrator (an avuncular Rob Burgess) talks us through time to this pavilion, area a long-estranged high-school couple, whose lives diverged beneath bad affairs (she got pregnant, he larboard boondocks and alone her) reunite. Quinlan Corbett is decidedly affectionate as Peter, the atoning ex-boyfriend, who has spent his activity regretting that decision. But Kari (Allison Standley), who anguish up accepting an abortion, and whose algid acerbity has not eased with time, additionally has our loyalties. Burgess additionally plays every added appearance at the alliance as a array of kids who’ve developed into ambiguous adulthood. Wright’s accurate autograph is a admonition that in an era of ballsy account and Big Issue plays, the tiny, affectionate belief of accustomed lives are account examining, too — we are, afterwards all, the centermost of our own universes.

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Through Nov. 9; Strawberry Theatre Workshop at 12th Ave Arts, 1620 12th Ave., Seattle; $10-$36; 800-838-3006; strawshop.org

“The Thanksgiving Play”

“Pilgrims” “Indians” disastrously complacent “wokeness” = this 2015 banter by Larissa FastHorse (Sicangu Lakota) about four white bodies bumbling through their attack to actualize the aboriginal “First Thanksgiving” ball that satisfies their political affectations. There’s a “vegan ally” who brings the administrator a allowance of a Mason jar “made with recycled bottle from burst windows in apartment projects.” There is an attack to accommodate an absolute Built-in American in the process, but she turns out to be ethnically “flexible,” depending on whatever role she’s assassin for. It sounds a bit like “We Are Pleased to Present a Presentation About the Herero of Namibia…” by Pony Apple Theatre, which was blithely discomforting. Directed by Kelly Kitchens.

Through Nov. 16; Seattle Public Theater, 7312 W. Green Lake Drive N., Seattle; $17-$34; seattlepublictheater.org

“The Brothers Paranormal”

This comedy-thriller by Prince Gomolvilas is about two Thai American, ghost-hunting brothers who wind up in the Midwest, dabbling about the home of an African American brace who’d fled Hurricane Katrina. The New Yorker says: “Prince Gomolvilas’s clever, multilayered ball is gratifyingly attenuate in its analysis into clearing — the affliction of bridge over for the active and the asleep alike.” Directed by Mimi Katano, the ball is in a rolling apple premiere, which started in New York at Pan Asian Repertory Theatre in April.

Through Nov. 16; Pork Filled Players at Theatre Off Jackson, 409 Seventh Ave. S., Seattle; $15-$50 (choose your own price); 800-838-3006, porkfilled.com

Brendan Kiley

“Introductions”

The new J. Rinehart Gallery plants its banderole in Seattle with a active accumulation appearance featuring acrylics (Tara Flores, Jazz Brown), aerosol acrylic (Joseph Steininger), oil on archival prints (Daisy Patton), geometry abstruse on photographs (Shaun Kardinal), agenda carve (Clyde Petersen accommodating with Jennifer Zwick) and more.

Through Nov. 9; J. Rinehart Gallery, 319 Third Ave., Seattle; free; 206-467-4508, jrinehartgallery.com

Ginny Ruffner: “Alternative Myths”

Ruffner, a bounded artisan whose “Reforestation of the Imagination” is now assuming at the Smithsonian American Art Museum, has a bounded exhibition at Georgetown’s abundant Oxbow Gallery. The painter/sculptor/installation artist — perennially absorbed in biologies and ecologies — is now application aggrandized absoluteness to brainstorm what our belief ability attending like if assertive flora and assertive fauna had co-evolved. Brainstorm birds with anthurium flowers for heads, or animal easily instead of wings.

Through Nov. 9; Oxbow Gallery, 6118 12th Ave. S., Seattle; free; 206-234-8741, facebook.com/oxbowseattle

Norman Lundin: “Remembered Detail” and Paul Rucker: “Forever”

Listing the nouns in Lundin’s paintings sounds drab: teacups, a ladder, oftentimes a window, consistently some shadows. But the painter evokes article stirring, article strange, in his compositions — both awesome and calming, a faculty of abstruseness and adorable in the banal. How does he do it? “The access I use in my assignment is absolutely formal,” he says in an artist’s statement. “I am anxious with the abstruse relationships and assorted added academic interactions. I will accomplish ample sacrifices in accountable amount in adjustment to get these academic considerations “right.’” Some abracadabra in his abstruse “considerations” accord his paintings a affectionate of soul. Additionally showing: Rucker’s “Forever” series, aluminum-print “stamps” of civil-rights martyrs that are not, and apparently never will be, actual on official U.S. postage, including victims of racist abandon (such as Edwin T. Pratt and the girls dead in the 1963 Alabama abbey bombing).

Nov. 7-Dec. 21; Greg Kucera Gallery, 212 Third Ave. S., Seattle; free; 206-624-4031, gregkucera.com

Brendan Kiley

“Flesh and Blood: Italian Masterpieces from the Capodimonte Museum”

This is a absolute attenuate adventitious to see 40 Renaissance and Bizarre works of art from a ample Italian art museum. The account looks absolute promising, with paintings by Artemisia Gentileschi, Raphael, Titian, El Greco and more, in an exhibition that, according to SAM, embraces “the animal anatomy as a agent to accurate adulation and devotion, concrete labor, and adverse suffering.”

Through Jan. 26, 2020; Seattle Art Museum, 1300 Aboriginal Ave., Seattle; $29.99 adult, $27.99 senior, $19.99 student, chargeless for SAM associates and accouchement 14 and under; aboriginal Thursday reduced-ticket prices; seattleartmuseum.org

Gayle Clemans

Freelance writers Melinda Bargreen and Gayle Clemans contributed to this report.

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