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I’m not in a “La La Land” affectionate of temper. These aberrant times alarm for absolute life, so I begin myself landing on “Strike a Pose.” Watching this 2016 documentary approximately the dancers who carried out in Madonna’s “Blond Ambition” bout — one alleged it a look “about freedom, abandon as an artist, abandon as a animal being” — the chat I’m larboard with is resiliency.

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The film, which is obtainable on Netflix, Tubi and iTunes, exams in with the dancers in the documentary “Truth or Dare” 25 years later. One, Gabriel Trupin, has died of AIDS; the others fabricated it out alive, but be given absent some beam forth the manner. Armed with pastime acquaintance — a brace accept rebounded from bedrock basal (drug and booze abuse), others are H.I.V. Absolute — they may be authentic by way of determination. “Strike a Pose” can go to aphotic locations with rivers of tears, but, again, it’s actual.

The dancers in “Strike a Pose” aren’t any excellent the men they had been in “Truth or Dare.” They’ve developed up, and they’re appealing outward, nonetheless dancing and additionally teaching the abutting bearing — watching it’s far a aching admonition that dance’s articulate attitude of casual on information, body-to-body, is in jeopardy.

The guys accomplish solos in their flats; anapestic dances, suggested and uncooked that by some means get to the component of their artwork shape: don’t prevent, that’s decidedly apt now. For a accompaniment allotment there may be this fulfillment of “In the Upper Room” on YouTube. Twyla Tharp’s arresting 1986 ballet set to track by using Philip Glass, chapped or no longer, is addition admonition of bravery. This, like, “Strike a Pose,” is a confirmation of courage: thru bodies, utility and sweat.

GIA KOURLAS

Pop MUSIC

The apple has constantly been suitable there for your laptop — you aloof take delivery of to columnist play. Online radio gives appropriate opportunities to apprentice added about sounds that are percolating in scenes approximately the globe. It has been decidedly capable-bodied in London — that’s the house of Rinse FM, the lengthy-strolling pirate-became-official radio station. For introduced than decades, it’s been at the bleeding aspect: You can recognize of-the-moment crud and British rap, bequest barn and increase ‘n’ bass and plentiful more. Additionally from London is Balamii, which embraces an all-embracing alloy of cyberbanking track, soul, jazz, UK funky, hip-hop and more.

Closer to domestic is the Lot Radio, which usually announces from a plane alembic abreast the Williamsburg-Greenpoint bound in Brooklyn. Given the accepted circumstances, it has now fabricated the about-face to affectionate video streams, valuable the energetic rental and kitchens of the D.J.S. It’s a able admonition that the affair is anyplace the songs are, and the songs are anywhere the D.J. Is. That may be everywhere. And you may do it too — the apple is listening.

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JON CARAMANICA

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films and TV

A weekend looking all 12 movies within the “Friday the thirteenth” authorization appears like heaven for some abhorrence fanatics. But for a chase of introduced snack-length scares, archetypal abhorrence album alternation are affluence pleasing. (They can also additionally be own family-pleasant, relying on how in a position-bodied terrific ball is suitable by way of the kids.) The bristles seasons of the aboriginal “Twilight Zone” (Hulu, CBS All Access) action acute scripts and A appearing; alpha with the accepted episodes “The Monsters Are Due on Maple Street” and “To Serve Man.” “The Outer Limits” (Hulu) takes a ’60s sci-fi avenue to terror, abnormally in out-there episodes like “The Galaxy Being” and “It Crawled Out of the Woodwork.”

If you appetite to allow in some ’80s-’90s nostalgia, a ideal homestead to alpha is with the bawdy (and on occasion nude) “Tales From the Crypt” (Amazon, iTunes), an HBO alternation that featured Brad Pitt (“King of the Road”) and Demi Moore (“Dead Right”). Continue the Gen X anamnesis with six seasons of “The Ray Bradbury Theater” (Amazon Prime), a aphotic and adroit alternation acclimatized from the technological know-how fiction writer’s personal cadaverous novels and abbreviate stories. “The Crowd,” a first-season creep-fest approximately blow gawkers, charcoal a lousy pleasure.

For antic scares and “Punk’d”-fashion implemented jokes, analysis out “Prank Encounters,” hosted by Gaten Matarazzo (“Stranger Things”); and “Scare Tactics,” with Tracy Morgan, now alive on Netflix. These hidden-digicam absoluteness shows placed biting “sufferers” in situations with freaked-out babysitters, bivouac killers and added weirdos from the abhorrence cine playbook.

ERIK PIEPENBURG

Theater

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The lyrics from Stephen Sondheim’s 1970 agreeable “Company” now whole below like an allurement and brought like a taunt: “Phone jewelry, aperture chimes, in comes corporation!/ No strings, applicable times, allowance hums, agency.” Had the Broadway division persevered, we should be given apparent “Company,” a masterfully clashing 1970 musical, afresh reimagined by means of the administrator Marianne Elliott, this week.

One abeyant comfort: D.H. Pennebaker’s “Original Casting Album: Company,” one of the abundant amphitheater documentaries, which movies the “Company” casting during a nerve-rending, larynx-shredding, 18-and-a-1/2 hour recording consultation. But it isn’t alive everywhere (though YouTube hosts satisfactory bits), and candidly Elaine Stritch’s “The Ladies Who Lunch,” somehow both acutely acrid and as lacerating as a beeline razor, might not be the analeptic each person wishes now.

So why no longer strive the word-best apology address of the ball alternation “Documentary Now!”? In the division three winner, “Original Casting Album: Co-op,” available on Netflix, casting and pit musicians gather to almanac a agreeable that has already closed. Written by Seth Meyers and John Mulaney, who additionally seems as the Sondheim-esque composer, the journey froths with Broadway favorites — Renée Elise Goldsberry, Alex Brightman, Richard Kind. Paula Pell accomplish into Stritch’s hat, shoes and sandpapered throat, glottal via 27 takes and an ophthalmology procedure. If we will’t be given “Being Alive” stay, at atomic we accept this.

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In the no-live shows era, some classical track presenters accept started out alms live-streams of performances. But one acute on line portal, OperaVision.Eu, became already blasting up contempo productions of schedule from European houses, and providing them chargeless (and on-call for). Each video advertisement comes with a bonus for English subtitles and about charcoal handy for a six-month period.

One spotlight of the ordinary slate is a Teatro Regio Torino staging of Erich Wolfgang Korngold’s “Violanta” — a aberration that mixes overdue-Romantic breeding of association with an early-20th-century acknowledgment for anecdotal tautness. Central ninety mins, a Venetian developed schemes to avenge her sister’s suicide by means of absorbing the asleep sibling’s Don Juan. (Complications occur.)

Korngold became nonetheless a jailbait aback the opera premiered, in 1917. His midcentury profession in Hollywood — which paved the way for John Williams’s array — became nevertheless many years away. Yet this comedy opera has the grown-up, awful-natured address of “Deception,” a 1946 noir that the artisan could afterwards annual for Warner Brothers. The lyric whole of the acute Annemarie Kremer is in a position-bodied sick-suited for the appellation role — and the orchestra additionally revels inside the opera’s eroticism. (If the opera leaves you absent added Korngold, accede a contempo Blu ray of “Das Wunder der Heliane.”) Accessible thru Aug. 28 on OperaVision.Eu and YouTube.

SETH COLTER WALLS

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Kids

The abstruseness starts with a asleep crow. Soon three analytical accouchement — the accompany Rani and Maria, and Maria’s little brother, Eduardo — confirm added asleep birds. They apprentice that the siblings’ grandmother has been ailing with a aerial fever. Added our bodies abatement sick. With the resource of developed scientists and their personal accurate research, the adolescent heroes assuredly analyze a microbial perpetrator. Spoiler alert: It’s no longer the new coronavirus.

“Transmissions: Gone Viral,” a clean bizarre advanced by means of the New York Hall of Science and reachable chargeless on its website, was aggressive via the West Nile virus. Aboriginal detected in New York Burghal in 1999, West Nile can’t strengthen being to person. But just like the coronavirus, it originated in animals, and at some point of the widespread disaster, the constructing recommends this fictionalized annual as an academic aid.

The atypical is additionally agitating (and no longer alarmist) enjoyment. Intended for center-schoolers, “Transmissions” consists of appearance pix, a science comment and the image blog Maria keeps. Aback understand on line, the bristles capacity are interactive: You bang on symbols to peer microscope slides, specimens and introduced records. Written via Karen de Seve and illustrated by means of Charlie LaGreca, the book appearance an cyberbanking exercise to map patterns within the viral outbreak. Addition sport, Gone Viral!, helps you to ball a antibody out to affect the apple — one antagonism I didn’t apperception losing.

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LAUREL GRAEBER

COMEDY

You heard however didn’t see this actor and integrated New Yorker acquaint a bit inside the 2019 “Joker” movie. (Playing himself, he done aloof afore Joaquin Phoenix’s look at a Gotham on hand mic.) And you gained’t get to look Morril banderole this weekend at the actual-existence Gotham Ball Club aback the coronavirus has positioned a arrest to his alive gigs. But afterwards website hosting his own allocution appearance in 2017 on the MSG Network, “People Talking Sports* (*and added stuff),” and accepting Amy Schumer gift his aboriginal Ball Central hour, “Positive Influence,” in 2018, Morril is aback with a new forty seven-minute fulfillment filmed on the Ball Cellar’s Village Underground.

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“I Got This” has admiring added than 1.Four actor attitude aback Ball Central uploaded it on Feb. 10 to its Ball Central Stand-Up YouTube channel. In it, Morril cracks astute about applicable an adventitious hero inside the #MeToo era, the abounding assorted affidavit he prefers the burghal to alive on the street, and alike a antic approximately his mother annoying about him affecting a asleep pigeon. Which charcoal angrily strong admonition in these instances.

SEAN L. McCARTHY

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